Bremen, Georgia (AP) – The “Holy Harp” hymn is cherished by its local singers and remains an essential Christian songbook, a Legacy for ages 180 and above.
Comprising individuals of all ages, from the young to the old, some have taken to singing from a hymn forever just as their parents and grandparents did. Others have delved into the tradition later in life, discovering community and fellowship through music.
As the sacred harp community, we eagerly await the new edition of their songbook. Let’s explore who these singers are and the significance of this tradition for them.
The significance of “sacred harp” for many singers
34-year-old Isaac Green poses with a copy of “The Sacred Harp” at the natural spring of Holly Springs Primitive Baptist Church. (AP Photo/Jessie Wardarski)
For Isaac Green, singing sacred harp hymns is not merely a pastime; it’s a source of mental clarity.
“The sacred harp music is my church,” Green stated. “Listening to and reflecting on the lyrics I sing has more impact than a sermon.”
Originally from Knoxville, Tennessee, Green began his journey with other hymn books before discovering the “sacred harp” later while living in Alpharetta, Georgia.
“People come from vastly different backgrounds, yet when we gather to sing, it fosters a sense of unity,” he expressed.
Uncovering Traditions in the “Backwoods of Alabama”
More than two decades ago, Bridge Hill Kennedy found renewal in her music ministry after attending a sacred harp singing event with her sister-in-law, having previously watched instructional videos online to familiarize themselves with the tradition.
“The music was incredibly beautiful,” she recalled of her experience in Backwood, Alabama.
Today, this community remains an essential part of her life, enhancing her mood and spirit.
“This community is invaluable to me; I’ve connected with people I would have never met otherwise, and it has enabled me to extend my compassion,” Kennedy conveyed.
Inheriting Family Traditions
Sacred harp singing is a cherished family tradition for Reba del Wyndham, who spent her weekends growing up immersed in this musical heritage.
“I can’t recall learning to sing. I always believed I had that gift,” said Wyndham, who has consistently engaged in holy harp singing throughout her life, relishing both the fellowship and practice it offers. She regards the “Holy Harp” hymn with deep reverence.
Wyndham carries with her songs passed down from her grandfather and father, often leading others in harmonies during group events, an experience that touches her deeply.
“Leading them often brings me to tears, but it’s all about treasured memories,” she reflected. “There are many songs that hold a special place in my heart.”
A Young Girl’s Collection of Poetry
Riley McKibbin, aged 11, received a copy of “The Sacred Harp,” a cherished legacy from her family of dedicated singers.
Her songbook features a handwritten note dated August 6, 2017. Riley delights in the idea that “everyone can come together and sing a meaningful song for God.” She has been involved in sacred harp events since infancy, taking the role of song leader for several years, ensuring the group keeps rhythm.
Riley’s mother, Lisa Webb, highlighted how important it is for her daughter to relish and uphold their family traditions through music.
The Songs that Honor Loved Ones
The specific hymns from “The Sacred Harp” evoke memories of the singers in Oscar McGuire’s life, including those who have passed away. He often leads these songs during events.
“I sing two or three songs every Sunday, often favoring the same ones,” he explained. “I do so in remembrance of them.”
Numbers 485, “New Agatite,” and 573, “Harpeth Valley,” remind him of the late Hugh McGraw, a notable sacred harp vocalist, along with the late Charlene Wallace, another revered singer. His wife’s favorite is No. 515, “Joyful.”
“I draw messages from these songs, many of which are inspired by biblical verses,” he shared. “I would rather sing all day than sit through a sermon for just thirty minutes.”
From a Casual Singer to a Devoted Tradition Bearer
Today, Nathan Reese is fully engaged with the sacred harp community. He not only sings but also curates the Sacred Harp Museum in Carrollton, Georgia, while participating in the Revision Committee for the upcoming 2025 edition.
However, Reese’s initial enthusiasm was lacking, as he was skeptical when his parents introduced him to the tradition during his college years in Utah.
“I thought they were associating with strange adults whom I had never met,” he admitted.
Yet, upon joining, he instantly felt at home.
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Source: apnews.com